Color Expansion in Landscape with Lindsay Mueller

Color Expansion in Landscape with Lindsay Mueller

Short Class | Available

Intermediate - Advanced
7/22/2026-8/26/2026
6:30 PM-9:30 PM EDT on Wed
$395.00

Color Expansion in Landscape with Lindsay Mueller

Short Class | Available

This painting course will explore landscape beyond the naturalistic representation of a place, encouraging students to use color in inventive and expressive ways. Working primarily from photographic references, students will begin with representational approaches to landscape painting and gradually develop more personal interpretations through experimentation with color, composition, and mark making.

Emphasis will be placed on using formal elements of painting as tools for communicating mood, atmosphere, and ideas. Through demonstrations, exercises, and discussions of contemporary artists, students will expand their understanding of how landscape can function as both observation and expression.

What you can expect:

  • Build on knowledge and understanding of using oil paint.
  • Work from photographic references to create landscape paintings.
  • Explore inventive color mixing strategies.
  • Create smaller iterations and a final painting that uniquely conveys your vision.

  • Your instructor has provided a list of materials required to participate fully in this class. 

    If you have any questions about specifics or what is needed week-to-week, please reach out to your instructor via the email in your confirmation letter. 

    Paint

    Please get at least 37 ml tubes. I would recommend Windsor and Newton or Gamblin which make high quality paint. If you are looking for a more economical choice that is still relatively good quality, both of these brands offer student grade paint via Winton and Gamblin 1980 respectively. 


    Required Tubes

    • Ultramarine Blue 

    • Cerulean Blue Hue

    • Dioxazine Purple 

    • Viridian

    • Sap Green

    • Lemon Yellow

    • Cad Yellow Medium

    • Naples Yellow

    • Cad Red Light

    • Alizarin Crimson

    • Burnt Sienna

    • Titanium White


    Optional/Recommended

    • Zinc White

    • Yellow Ochre

    • Quinacridone Magenta

    • Burnt Umber



    Painting Surfaces

    Students can work on the surface of their preference, but some recommendations below. Will need some quick small surfaces for the beginning (can use gessoed Watercolor paper) and some larger surfaces for the end of class (panel or canvas).


    You will need:

    • Watercolor Paper Pad 

      • Size – either a larger pad 16x20 and we will cut it down as needed or a little smaller, 11x14 minimum

        •  Often we will work on about 9x12 or 11x14 size and use the scraps for testing paint or sketching

    • White Acrylic Gesso

      • I like Utrecht, Liquitex is also good

    • 1 piece of Masonite/Hardboard

      • 9x12 to 16x20 in size - we can talk first session of class

    • 1 Pre-primed canvas (can discuss size)



    Palette 

    You have the option of working on either a glass palette or using disposable paper palettes. Glass is better as you can scrape it easier because it’s a hard, stable surface, so I encourage choosing glass, but you can decide what works best for you. For a glass palette you can buy the materials below and we can assemble it in class. 


    • Glass Palette 

      • Any piece of glass will suffice 16x20 inch is a good size (will fit in locker) (Home Depot)

      • Piece of white foam core to support palette (Michaels) or purple foam (Home Depot)

    • Or Palette Paper (I would buy larger in size)



    Brushes & Knives

    For oil painting it is best to use a firm brush, either with natural or synthetic bristles. It is good to have a variety of brush types and sizes. If selecting brushes individually, below is a good starting set of what to get. Long handle is preferred for oil painting. 

    •  #12 Flat

    • #2,6 and 8 Filbert

    • #8 Bright

    • #4,6 Round

    • A smaller round brush for detailing if possible


    Or you can look for packs that have a variety. Princeton usually has somewhat economical choices that are good quality. Some of their lines that are for oil painting are linked below. In general, I prefer to physically go to the store to purchase brushes so that I can feel how firm they are and see the size in person.


    Also please buy a 3-inch house painting or chip brush for gesso (Home Depot)


    Your palette knife will be used to mix paint and at times apply it in a precise way. You need at least one, but I’d encourage you to purchase 2-3 to experiment if possible. I would buy this from Blick (not Amazon) as I’ve found the amazon ones can be inflexible/easily broken.


    Medium & Solvent

    • Gamsol for cleaning brushes (500 ml)

    • Jar to store Gamsol

      • Silicoil Jar is nice because spring allows you to clean brushes against it

      • Or you can use a clean glass jar with a tight lid (like a salsa jar) – it can be helpful to put some rocks in the bottom

    • Palette Cup for holding medium (or a tiny jar/lid that you already have)

    • Medium - can use a medium you already have and prefer such as Galkyd or Neo Megilp or you can purchase stand oil and we make medium. We can talk on day 1. 


    Other Supplies

    • Artists Tape – color doesn’t matter but 1” good

    • Brush Soap 

    • Pencil/eraser/notebook for drafting ideas

    • 1 roll paper towels

    • Saran wrap (good for saving paint on the palette, could be shared between students)

    • Apron or gloves (optional)



    Overall, bring what supplies you already have and we can figure out how to make it work for this short course!


Lindsay Mueller

Learn about your instructor & more on our faculty page!