Introduction to Drypoint with Jorge Vara Hernandez
Class | Registration opens 11/19/2025 12:00 AM EST
In this course, students will learn the process of creating a Drypoint print using traditional materials. Instruction will cover how to prepare and ink copper plates, creating a print without the use of a ground or acid to etch the plate, and Chine Collé. Additionally, we will briefly go over other forms of engraving such as mezzotint. Explore the expressive potential of “line,” “light,” “form,” and “space,” all levels are welcome, while some drawing experience is recommended, it is not required.
Your instructor has provided a list of materials required to participate fully in this class.
If you have any questions about specifics or what is needed week-to-week, please reach out to your instructor via the email in your confirmation letter.
View supply list: https://www.dickblick.com/myaccount/wishlist/THJ3U37FLFX2F/
- Hahnemuhle Copperplate Paper - 22" x 30", Bright White 5 Sheets
- Copper Etching Plate 4" x 6"
- E C Lyons Diamond Point Scribe
- E C Lyons Triangular Scraper
- E C Lyons Steel Burnisher with Wooden Handle - 6-3/8"
- Oil based Etching Ink
- Newsprint Pad - 18" x 24"
- Mod Podge 4 oz
- Tarlatan or Akua Wiping Fabric
- Flat Bastard File
- Colored Kozo or Mulberry Paper - 1 sheet
- Gamblin Gamsol Odorless Mineral Spirits
- Plastic Gloves
- Blue Shop Towels.
- Extra fine steel wool
- Whiting powder
- Soy Sauce
- 2000 grit sandpaper
- 3in1 oil - small bottle