Mark Making in Painting with Lindsay Mueller

Mark Making in Painting with Lindsay Mueller

Short Class | Available

2129 S Street, NW Washington, DC 20008 United States
Room 3A
Beginner/ Intermediate
7/30/2025-8/20/2025
6:30 PM-9:30 PM EDT on Wed
$195.00

Mark Making in Painting with Lindsay Mueller

Short Class | Available

This course will explore methods of creating varied marks in painting and the importance of mark making as a tool to define space and give paintings character. Students will work from historical and contemporary references that use mark in dynamic ways, and emulate various strategies of crafting space through the accumulation of marks. We will discuss how paint application and mark can convey form in different ways and create varied effects on a viewer. Students will experiment with fluid and wet-on-wet painting, impasto, using the palette knife, and translating found textures into marks. This course is for students with some prior oil painting experience looking for a short, focused course to expand their knowledge in paint application strategies.



  • It is important for students to have some prior oil painting experience so that diving into mark making for 4 weeks isn't overwhelming.
  • Oil Paint

    I recommend Windsor and Newton or Gamblin which make high quality paint. If you are looking for a more economical choice that is still relatively good quality, both of these brands offer student grade paint via Winton and Gamblin 1980 respectively. 


    Required Tubes – (Pared down palette - bringing more colors from the recommended list will enable you to make more mixes! If you already own oil paints, you may bring what additional colors you have.)  

    • Ultramarine Blue 

    • Viridian

    • Lemon Yellow

    • Cad Yellow Medium

    • Cad Red Light

    • Alizarin Crimson

    • Burnt Sienna

    • Yellow Ochre

    • Titanium White


    Recommended Additions 

    • Zinc White

    • Sap Green

    • Dioxazine Purple 

    • Naples Yellow

    • Burnt Umber

    • Phthalo Blue 

    • Cerulean

    • Quinacridone Magenta


    Painting Surfaces 

    • 3 sheets of gessoed watercolor paper or oil paper (surfaces for experimenting/planning, potentially more sheets if you want to do all paintings on paper)

    • 2 other painting surfaces for contrasting texture (I recommend one canvas and one piece of gessoed Masonite/panel)

    Size for these surfaces – 9x12 or 11x14 is good size


    Palette 

    You have the option of working on either a glass palette or using disposable paper palettes. Glass is better so if you already have one bring that, but if not you can use palette paper.  


    • Glass Palette 

      • Any piece of glass will suffice 16x20 inch is a good size (will fit in locker) (Home Depot)

      • Piece of white foam core to support palette (Michaels) or purple foam (Home Depot) that you tape glass to with duct tape 

    • Or Palette Paper



    Brushes & Knives

    For oil painting it is best to use a firm brush, either with natural or synthetic bristles. It is good to have a variety of brush types and sizes. If selecting brushes individually, below is a good starting set of what to get. Long handle is preferred for oil painting. 

    •  #12 Flat

    • #2,6 and 8 Filbert

    • #8 Bright

    • #4,6 Round


    Or you can look for packs that have a variety. Princeton usually has somewhat economical choices that are good quality. Some of their lines that are for oil painting are linked below. Sometimes I prefer to go to physically go to the store to purchase brushes so that I can feel how firm they are and see the size in person. Getting some firm brushes is important for mark making, and varied sizes!

    Your palette knife will be used to mix paint and at times apply it in a precise way. You need at least one, but I’d encourage you to purchase 2-3 to experiment if possible. Please purchase the flexible type from Blick (not Amazon), we will be using them for direct application on your paintings. 


    Medium & Solvent

    • Mediums 

      • a thinner medium such as 50:50 Stand Oil & Gamsol (can make in class if you bring stand oil), or Galkyd Lite

      • a thicker medium such as Galkyd Gel (for creating impasto)

    • Gamsol for cleaning brushes and making medium (500 ml)

    • Jar to store Gamsol

      • Silicoil Jar is nice because spring allows you to clean brushes against it

      • Or you can use a clean glass jar with a tight lid (like a salsa jar) – it can be helpful to put some rocks in the bottom

    • Another jar for the medium (about a 6-8 oz jar is fine)

      • Utrecht makes solid quality and more economical. This bottle is larger than you need, so it could easily be shared with another student or two.

    • Palette Cup for holding medium (or a tiny jar/lid that you already have)



    Other Supplies

    • Artists Tape – color doesn’t matter but 1” good

    • Brush Soap 

    • Pencil/eraser/notebook for drafting ideas

    • 1 roll paper towels

    • Saran wrap (good for saving paint on the palette, could be shared between students)

    • Apron or gloves (optional)

Lindsay Mueller