Introduction to Painting C with Pooja Campbell

Introduction to Painting C with Pooja Campbell

Class | FULL

2129 S Street, NW Washington, DC 20008 United States
Room 3A
Beginner
4/13/2025-6/15/2025
2:00 PM-5:00 PM EDT on Sun
$495.00

Introduction to Painting C with Pooja Campbell

Class | FULL

Introduction to Painting C is the third in a sequence of three Introduction to Painting classes. It is designed to develop the student’s painting skills through an understanding of basic design concepts and principles of visual art.  By emphasizing perceptual awareness and emphasizing hand-eye coordination skills, students will explore the process of painting and how it relates to personal creativity and expression. In addition, this course will offer students an understanding of color and will implement a color-mixing method unique to the Washington Studio School. Students will also be exposed to art references, both historical and contemporary, as they will further one’s understanding of painting.

What you can expect:

  • Push knowledge of color-mixing 

  • Work from observation (still life).

  • Gain knowledge of ala prima painting.

  • Build a vocabulary pertinent to painting and engage in group discussions. 


Who is this class for?: This class is for those new to painting or those who have taken Introduction to Painting A and B. IT IS STRONGLY recommended that students have some drawing experience before taking a painting class.


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    Paint

    Please get at least 37 ml tubes. I would recommend Windsor and Newton or Gamblin which make high quality paint. If you are looking for a more economical choice that is still relatively good quality, both of these brands offer student grade paint via Winton and Gamblin 1980 respectively. Make sure you don’t buy water mixable oils!


    Required Tubes

    • Ultramarine Blue 

    • Cerulean Blue Hue

    • Dioxazine Purple 

    • Phthalo Green OR Viridian

    • Chromium Green OR Sap Green

    • Lemon Yellow

    • Cad Yellow Medium

    • Naples Yellow

    • Cad Red Light

    • Alizarin Crimson

    • Burnt Sienna

    • Titanium White

    Optional/Recommended

    • Zinc White

    • Cobalt Blue 

    • Burnt Umber


    Painting Surfaces

    We will start by priming watercolor paper with acrylic gesso and working on that. We will also prime Masonite to paint on a firm surface, and stretch and use one canvas to work on.


    You will need:

    • Watercolor paper pad 18x24 inches 

      • Arches is great quality paper for painting on. Can be bought in sheets or smaller sizes in a pad

      • Strathmore has good quality watercolor paper

    • White Acrylic Gesso

      • I like Utrecht, Liquitex is also good

    • 3 pieces of Masonite/Hardboard, 9x12 to 16x20 in size

    • 18” and 24” Stretcher Bars (2 of each)

    • 1 yard  of Canvas (or more if you intend to stretch more canvases)


    Palette 

    You have the option of working on either a glass palette or using disposable paper palettes. Glass is better as you can scrape it easier because it’s a hard, stable surface (and you will go through less paper), but you can decide what works best for you. For a glass palette you can buy the materials below and we can assemble it in class. 


    • Glass Palette 

      • Any piece of glass will suffice 18”x24” is a good size (Home Depot)

      • Piece of Foamular to support palette (Home Depot)


    Brushes & Knives

    For oil painting it is best to use a firm brush, either with natural or synthetic bristles. It is good to have a variety of brush types and sizes. If selecting brushes individually, below is a good starting set of what to get. Long handle is preferred for oil painting. 

    •  #12 Flat

    • #2,6 and 8 Filbert

    • #8 Bright

    • #4,6 Round


    Or you can look for packs that have a variety. Princeton usually has somewhat economical choices that are good quality. Some of their lines that are for oil painting are linked below. Sometimes I prefer to physically go to the store to purchase brushes so that I can feel how firm they are and see the size in person.

    Also please buy a 2 or 3-inch house painting or chip brush for gesso (Home Depot)




    Your palette knife will be used to mix paint and at times apply it in a precise way. You need at least one, but feel welcome to purchase 2-3 to experiment with how varied sizes affect paint application. 


    Medium & Solvent

    • Stand Oil for making medium

      • Utrecht makes solid quality and more economical. 

    • Gamsol for cleaning brushes and making medium (500 ml)

    • Jar to store Gamsol

      • Silicoil Jar is nice because spring allows you to clean brushes against it

      • Or you can use a clean glass jar with a tight lid (like a salsa jar) – it can be helpful to put some rocks in the bottom

    • Another jar for the medium (any 12 oz+ jar is fine)

    • Palette Cup for holding medium (or a tiny jar/lid that you already have)



    Other Supplies

    • Artists Tape – color doesn’t matter but 1” good

    • Brush Soap 

      • The Master’s Brush Cleaner is my preferred choice to preserve brushes

      • Dish soap also works and is usually in the classrooms, bring you own to be sure you have enough to clean up after each class session

    • Pencil 

    • Paper towels or rags - WSS does not provide these for personal use while painting

    • Dishoap - For personal use when cleaning brushes

    • Palette scraper (Blick or cheaper at hardware store)

    • Apron or gloves (optional)

    • Notebook (optional)

Pooja Campbell