Introduction to Painting C: Violet/Yellow with Lindsay Mueller
Class | FULL
Introduction to Painting C is one of three Introduction to Painting classes that build on one another and may be taken out of sequence. Each level of Intro to Painting (A, B, and C) focuses on different color schemes. After completion of all three levels, students will have an expanded vocabulary of color mixtures which will equip them to transfer into Intermediate Painting. Students will work from observation (still life and landscape) and collage/sketches. This class will implement a color-mixing method unique to the Washington Studio School. Students will also be exposed to art references, both historical and contemporary.
What you can expect:
Push knowledge of color-mixing
Work from observation (still life).
Gain knowledge of ala prima painting.
Build a vocabulary pertinent to painting and engage in group discussions.
- Who is this class for?: This class is for those new to painting or those who have taken Introduction to Painting A and B. IT IS STRONGLY recommended that students have some drawing experience before taking a painting class.
- Materials List - These are the materials you will need for this class.
Paint
Please get at least 37 ml tubes. I would recommend Windsor and Newton or Gamblin which make high-quality paint. If you are looking for a more economical choice that is still relatively good quality, both of these brands offer student-grade paint via Winton and Gamblin 1980 respectively. Make sure you don’t buy water-mixable oils!
Required Tubes
Ultramarine Blue
Cerulean Blue Hue
Dioxazine Purple
Viridian
Sap Green
Lemon Yellow
Cad Yellow Medium
Naples Yellow
Cad Red Light
Alizarin Crimson
Burnt Sienna
Titanium White
Optional/Recommended
Zinc White
Yellow Ochre
Quinacridone Magenta
Burnt Umber
Painting Surfaces
We will start by priming watercolor paper with acrylic gesso and working on that. We will also prime Masonite to paint on a firm surface, and stretch and use one canvas to work on.
You will need:
Palette
You have the option of working on either a glass palette or using disposable paper palettes. Glass is better as you can scrape it easier because it’s a hard, stable surface, so I encourage choosing glass, but you can decide what works best for you. For a glass palette you can buy the materials below and we can assemble it in class.
Brushes & Knives
For oil painting, it is best to use a firm brush, either with natural or synthetic bristles. It is good to have a variety of brush types and sizes. If selecting brushes individually, below is a good starting set of what to get. A long handle is preferred for oil painting.
#12 Flat
#2,6 and 8 Filbert
#8 Bright
#4,6 Round
Or you can look for packs that have a variety. Princeton usually has somewhat economical choices that are good quality. Some of their lines that are for oil painting are linked below. Sometimes I prefer to go to physically go to the store to purchase brushes so that I can feel how firm they are and see the size in person.
Also please buy a 3-inch house painting or chip brush for gesso (Home Depot)
Your palette knife will be used to mix paint and at times apply it in a precise way. You need at least one, but I’d encourage you to purchase 2-3 to experiment if possible.
Medium & Solvent
Stand Oil for making medium
Gamsol for cleaning brushes and making medium (500 ml)
Jar to store Gamsol
Another jar for the medium (about a 6-8 oz jar is fine)
Palette Cup for holding medium (or a tiny jar/lid that you already have)
Other Supplies
Artists Tape – color doesn’t matter but 1” good
Brush Soap
Pencil/eraser/notebook for drafting ideas
1 roll paper towels
Saran wrap (good for saving paint on the palette, could be shared between students)
Apron or gloves (optional)