Introduction to Painting C: Violet/Yellow with Lindsay Mueller

Introduction to Painting C: Violet/Yellow with Lindsay Mueller

Class | FULL

2129 S Street, NW Washington, DC 20008 United States
Room 3A
Beginning
4/7/2025-6/9/2025
6:30 PM-9:30 PM EDT on Mon
$495.00

Introduction to Painting C: Violet/Yellow with Lindsay Mueller

Class | FULL

Introduction to Painting C is one of three Introduction to Painting classes that build on one another and may be taken out of sequence. Each level of Intro to Painting (A, B, and C) focuses on different color schemes. After completion of all three levels, students will have an expanded vocabulary of color mixtures which will equip them to transfer into Intermediate Painting. Students will work from observation (still life and landscape) and collage/sketches. This class will implement a color-mixing method unique to the Washington Studio School. Students will also be exposed to art references, both historical and contemporary.

 

What you can expect:

  • Push knowledge of color-mixing 

  • Work from observation (still life).

  • Gain knowledge of ala prima painting.

  • Build a vocabulary pertinent to painting and engage in group discussions.

  • Who is this class for?: This class is for those new to painting or those who have taken Introduction to Painting A and B. IT IS STRONGLY recommended that students have some drawing experience before taking a painting class.
  • Materials List - These are the materials you will need for this class.

    Paint

    Please get at least 37 ml tubes. I would recommend Windsor and Newton or Gamblin which make high-quality paint. If you are looking for a more economical choice that is still relatively good quality, both of these brands offer student-grade paint via Winton and Gamblin 1980 respectively. Make sure you don’t buy water-mixable oils!


    Required Tubes

    • Ultramarine Blue 

    • Cerulean Blue Hue

    • Dioxazine Purple 

    • Viridian

    • Sap Green

    • Lemon Yellow

    • Cad Yellow Medium

    • Naples Yellow

    • Cad Red Light

    • Alizarin Crimson

    • Burnt Sienna

    • Titanium White


    Optional/Recommended

    • Zinc White

    • Yellow Ochre

    • Quinacridone Magenta

    • Burnt Umber



    Painting Surfaces

    We will start by priming watercolor paper with acrylic gesso and working on that. We will also prime Masonite to paint on a firm surface, and stretch and use one canvas to work on.


    You will need:

    • Watercolor Paper Pad

      • Size – either a larger pad 16x20 and we will cut it down as needed or a little smaller, 11x14 minimum

        •  Often we will work on about 9x12 or 11x14 size and use the scraps for testing paint or sketching

      • Can buy tape-bound paper or watercolor block to keep pages from warping

      • Arches is great quality paper for painting on. Can be bought in sheets or smaller sizes in a pad but is expensive.

      • Strathmore has good-quality watercolor paper

    • White Acrylic Gesso

      • I like Utrecht, Liquitex is also good

    • 2 pieces of Masonite/Hardboard

      • 9x12 to 16x20 in size - you decide, we can talk first session of class

    • 18” and 24” Stretcher Bars (2 of each)

    • Canvas



    Palette 

    You have the option of working on either a glass palette or using disposable paper palettes. Glass is better as you can scrape it easier because it’s a hard, stable surface, so I encourage choosing glass, but you can decide what works best for you. For a glass palette you can buy the materials below and we can assemble it in class. 


    • Glass Palette 

      • Any piece of glass will suffice 16x20 inch is a good size (will fit in a locker) (Home Depot)

      • Piece of white foam core to support palette (Michaels) or purple foam (Home Depot)

    • Or Palette Paper



    Brushes & Knives

    For oil painting, it is best to use a firm brush, either with natural or synthetic bristles. It is good to have a variety of brush types and sizes. If selecting brushes individually, below is a good starting set of what to get. A long handle is preferred for oil painting. 

    •  #12 Flat

    • #2,6 and 8 Filbert

    • #8 Bright

    • #4,6 Round


    Or you can look for packs that have a variety. Princeton usually has somewhat economical choices that are good quality. Some of their lines that are for oil painting are linked below. Sometimes I prefer to go to physically go to the store to purchase brushes so that I can feel how firm they are and see the size in person.

    Also please buy a 3-inch house painting or chip brush for gesso (Home Depot)


    Your palette knife will be used to mix paint and at times apply it in a precise way. You need at least one, but I’d encourage you to purchase 2-3 to experiment if possible. 


    Medium & Solvent

    • Stand Oil for making medium

      • Utrecht makes solid quality and more economical. This bottle is larger than you need, so it could easily be shared with another student or two.

    • Gamsol for cleaning brushes and making medium (500 ml)

    • Jar to store Gamsol

      • Silicoil Jar is nice because spring allows you to clean brushes against it

      • Or you can use a clean glass jar with a tight lid (like a salsa jar) – it can be helpful to put some rocks in the bottom

    • Another jar for the medium (about a 6-8 oz jar is fine)

    • Palette Cup for holding medium (or a tiny jar/lid that you already have)



    Other Supplies

    • Artists Tape – color doesn’t matter but 1” good

    • Brush Soap 

    • Pencil/eraser/notebook for drafting ideas

    • 1 roll paper towels

    • Saran wrap (good for saving paint on the palette, could be shared between students)

    • Apron or gloves (optional)

Lindsay Mueller