Chamber Music for Adults

Music Class | This program is completed

Adult

3/16/2016-6/8/2016

6:30 PM-9:00 PM EDT on Wed

$352.00

*PLEASE CALL FOR INFORMATION ON REGISTERING*

Chamber Music for Adults is a performance class for pianists, string and wind players. We play beautiful and interesting music, we work hard and we have a lot of fun!

By way of the mêlée of instruments, we cover a wide range of chamber music repertory from standards such as Beethoven piano trios, to music of contemporary composers (some of whom visit the class to coach their music) to lesser known wonders such as Reynaldo Hahn’s Romanesque for flute, viola and piano.

As it is a performance-oriented class we rehearse intensively and work on various issues of chamber music performance, including the technique of playing chamber music. This extends from basics such as how to give a cue to how does an individual violin, piano or flute part fit into the whole?

This last question segues neatly into another question: how does one go about reading a full score of a piece of chamber music? In the classes, emphasis is placed on learning the parts of the other musicians to the fullest extent possible.

As we explore the scores as a class, we can also glimpse into the wholeness of great works – how does a singular flatted 7th, as we see in the opening bars of the first 2 movements of Beethoven’s Piano Trio Op. 1, no. 1, blossom into an entire section later on in these 2 movements?

Furthermore, in studying the scores, a violinist, pianist or flutist also learns how to negotiate alto or tenor clef or parts of a transposing instrument (clarinet, French horn, etc.);

We also tackle the psychology of performing, e.g., how to be a supportive and, at the same time, a critical colleague; how to, in a ‘mind over matter way’ extend one’s awareness from playing an individual instrument to playing in an ensemble.

Rynston, Neil

Neil Rynston’s performances have been praised for their “intoxicating clarity” (The Desert Sun) and for being “musically alive and technically brilliant” (Dr. Morton Gold, Journal Tribune). He has been a repeat guest recitalist at Symphony Space, Bruno Walter Hall, the American Landmark Series (NYC), the Dame Myra Hess Series (Chicago), Trinity Church Summer Series (NYC), the Glencairn Series (Philadelphia), the Frye Museum (Seattle), Tenri Institute, Michael H. Lord Gallery (Palm Springs, CA) and has been featured on KING FM (Seattle) and WAMC. He is currently the Artistic Director and founding member of the chamber music ensemble, Vista Lirica. (More about Vista Lirica below.) In past years, he has been concerto soloist and principal clarinetist with several orchestras in New York and Europe: Musikkollegium Winterthur in Switzerland, the Vivaldi Travelling Virtuosi (NYC), the Cosmopolitan Symphony and Opera Manhattan (1990’s). His interest in contemporary music, and specifically neo-Romanticism has led to collaborations with composers David Del Tredici, Lowell Liebermann, Dalit Warshaw, Roger Stubblefield, Michael Rose, Tan Dun, Richard Cameron-Wolfe, Andrew Rudin, Aleksandar Simic and Phillip Lasser. After having received his Bachelor of Music degree from the Oberlin Conservatory, Rynston continued his professional training with legendary clarinetist Robert Marcellus at Northwestern University. He was invited by Gunther Schuller to perform at the Sandpoint Chamber Music Festival in Idaho in 1987. That same year he received a stipend to study at the Mozarteum in Salzburg, Austria. He has also studied arts management and German literature at New York University Gallatin Division. After 8 years of teaching clarinet, chamber music (and some piano) at Brooklyn Conservatory (2007-2015), he is happy to continue his teaching at Greenwich House and at his Upper West Side studio. To find out more about Vista Lirica, please visit www.vistalirica.com.